In this blog
post I will attempt to identify strategies for performing activism in the
classroom regardless of the course material.
The potential for activism in the
classroom was what initially motivated me to pursue a master’s degree and
subsequent PhD in Communication Studies. Although I, like some of my peers who
I have spoken to, remain undecided about my place in academia, I remain as
optimistic as ever when it comes to activism in the classroom. That being said,
I have come to realize that this particular department is not indicative of the
norm. In fact, the faculty here at UNT is significantly more social-justice
oriented than many other COMM departments. As such, many of our professors are
given opportunities to teach classes situated around social justice movements.
These anxieties aside, I believe there is still potential for activism in
virtually any classroom. I was led to
this revelation by a few of this semester’s readings, including bell hooks’ Teaching to Transgress.
hooks says about engaged pedagogy,
“it emphasizes well-being. That means that teachers must be actively committed
to a process of self-actualization that promotes their own well-being if they
are to teach in a manner that empowers students” (15). This seems an ample
starting point because I have come to recognize that my pedagogy is more
deliberately inclusive and progressive when my optimism about activism in the
classroom is at its highest. Accepting hooks’ assertion that activism is even
possible in generalized classes, I believe, is paramount in making it happen.
It is only when I approach the classroom with a sense of assurance that it is
possible for me to make a difference that I can be successful in doing so.
Another element necessary to the
successful practice of #classroomactivism, I believe, is thoroughly discussed
in Chapter 10. hooks says, “it is crucial that critical thinkers who want to
change our teaching practices talk to one another, collaborate in a discussion
that crosses boundaries and creates a space for intervention” (129). This
particular passage struck a chord with me because I have found, much to my
surprise, that the Communication Studies scholarship I have found most useful
in developing strategies for #classroomactivism have come from pieces
Performance Studies scholarship, not rhetoric scholarship. Although this
example of border-crossing dialog is still situated within Communication
Studies, I believe the differences in pedagogical approaches warrant a mention.
It was John Sloop’s (2014) Learning to
Perform that first urged me to make a greater effort to read more
performance studies scholarship, and I believe Sloop’s suggestion comes from
the same place of interdisciplinary urgency that bell hooks writes with.
Finally, hooks addresses the
anxieties around the English language in the classroom. I, too, have felt that
the English language serves as a sort of rhetorical trap in the classroom. It
is, in many cases, so inherently masculine-centric and white-centric that it
seems impossible to account for all of its problematic components. hooks
explains with great care how to address this impasse in Chapter 11. hooks says
of proctors of vernacular discourse, “I imagine them hearing spoken English as
the oppressor’s language, yet I imagine them also realizing that this language
would need to be possessed, taken, claimed as a space of resistance” (169). I
believe this is also a responsibility of the instructor. We have the
opportunity to make strategic (tactical?) use of language to perform activism
in the classroom without necessarily having to lecture about social justice.
Karen has oft-mention describing her romantic ally as “partner”, a decidedly
non-gendered term in order to incite curiosity amongst her students. As long as
we educate ourselves as much as possible about the ramifications of certain
terms and adjust our pedagogy and classroom vocabularies accordingly, we can
create a deliberately inclusive and strategically progressive environment,
regardless of the material we teach.
So, a brief
recap. The following are three strategies for incorporating activism into any
classroom, courtesy of bell hooks.
1.
Be
committed. Successful advocacy in the classroom requires the instructor to be
confident in her/his/their ability to do so. (Chapter 1)
2.
Broaden
our exposure. I have been caught up in a whirlwind of rhetoric for years. Since
I began teaching, I have come to realize how important Performance Studies
scholarship is to my goals in the classroom. (Chapter 10)
3.
Change
the English language from the inside out. Use inclusive and considerate
language to establish an accepting climate, regardless of the material.
(Chapter 11)
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